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Multicam edits itself
Assign one audio track per speaker, set how often the wide shot comes back, and the cuts land on the right camera. From 2 to 8 speakers, each with its own colour on the timeline.
For podcast editors
Edit your multicam podcast without losing the night
Two to eight cameras, as many microphones, two hours of recording. The plugin maps each audio track to a speaker, cuts between cameras, removes the silences and exports your chapters. Without leaving Premiere Pro.
Works with Premiere Pro 2018+ · macOS & Windows · 14-day trial
✓ Premiere Pro 2018+ ✓ macOS & Windows ✓ 14-day free trial ✓ Updates included
What changes
What the plugin does for you
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The dead air goes first
AutoCut strips the silences out of the conversation with a live preview. The podcast preset sits at -38 dB and 0.3 s so breaths survive.
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Chapters come out of the same project
Transcript AI drops chapter markers and exports them in YouTube format: timecodes and titles, ready to paste into the description.
2-8
Speakers
-38 dB
Podcast preset
10+
Marker types
1
State per sequence
How it works
One episode, from footage to publication
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01
You map the tracks once
Each audio track gets a name, a colour and a role: speaker or wide shot. The mapping is saved with the sequence, so you do not redo it on the next episode.
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02
Multicam and cleanup run back to back
Audio analysis works out who is speaking at every moment and places the cuts on the right video track. AutoCut then takes out the dead air, with no razor tool and no undo flood.
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03
You collect the chapters and the highlights
Chapter markers export in YouTube format. AI Analysis lists up to 63 timestamped moments: key points, questions, calls to action. You tick the ones you keep.
Frequently asked questions
? How many cameras and microphones?
From 2 to 8 speakers, each with their own audio track and camera. One camera can take the wide shot role: the plugin cuts to it at the interval you set.
? Do I stay in control of the edit?
Yes. The cuts land on your timeline as ordinary cuts, nothing is locked. You move them, delete them and adjust them as usual.
? What if the microphones bleed into each other?
Detection reads the level of each track, so a recording with a clean gate gives a much better result. The cuts, once placed, stay editable one by one.
? Do I have to set it up again every episode?
No. The speaker mapping, the colours and the cut settings are cached per sequence and restored automatically when you come back to it.
? How do I get the vertical clips out?
AI Analysis spots the passages that stand on their own, and the animated captions render to ProRes 4444 with an alpha channel, so there is no background to key out.
The tools doing the work
Each one has its own page. They work together, in the same panel.
Your next episode, cut before lunch?
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