Multicam edits itself
Assign one audio track per speaker, set how often the wide shot comes back, and the cuts land on the right camera. From 2 to 8 speakers and 1 to 8 cameras, each speaker with their own color in the panel.
Two to eight cameras, as many microphones, two hours of recording. The plugin maps each audio track to a speaker, cuts between cameras, removes the silences and exports your chapters. Without leaving Premiere Pro.
macOS · Premiere Pro 2025+ · Windows in closed beta · 14-day trial
Assign one audio track per speaker, set how often the wide shot comes back, and the cuts land on the right camera. From 2 to 8 speakers and 1 to 8 cameras, each speaker with their own color in the panel.
AutoCut strips the silences out of the conversation with a live preview. The podcast preset sits at -38 dB and 0.3 s so breaths survive.
Transcript AI drops chapter markers and exports them in YouTube format: timecodes and titles, ready to paste into the description.
Each speaker gets a name, a color and their audio track; each camera, the people it frames. The one that frames everyone becomes the wide shot. The mapping is saved with the sequence, so you do not redo it on the next episode.
Audio analysis works out who is speaking at every moment and places the cuts on the right video track. AutoCut then takes out the dead air, with no razor tool and no undo flood.
Chapter markers export in YouTube format. AI Analysis lists up to 63 timestamped moments: key points, questions, calls to action. You tick the ones you keep.
From 2 to 8 speakers and 1 to 8 cameras, each speaker with their own audio track. A camera that frames everyone becomes the wide shot: the plugin cuts to it when several people talk, and at the interval you set.
Yes. The cuts land on your timeline as ordinary cuts, nothing is locked. You move them, delete them and adjust them as usual.
Detection reads the level of each track, so a recording with a clean gate gives a much better result. The cuts, once placed, stay editable one by one.
No. The speaker mapping, the colors and the cut settings are cached per sequence and restored automatically when you come back to it.
AI Analysis spots the passages that stand on their own, and the animated captions render to ProRes 4444 with an alpha channel, so there is no background to key out.
Each one has its own page. They work together, in the same panel.
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