2 to 8 speakers with colors
Each speaker has a name, a Tokyo Night color (blue, pink, green, amber, purple, orange, teal, lavender) and a role: solo speaker or wide/group shot.
Assign each audio track to a speaker, pick how often to cut to the wide shot, and the plugin cuts between cameras automatically. 2 to 8 speakers, Tokyo Night palette, state saved per sequence.
Works with Premiere Pro 2018+ · macOS & Windows · 14-day trial
Three reasons editors switch to Multi-speaker Podcast.
Each speaker has a name, a Tokyo Night color (blue, pink, green, amber, purple, orange, teal, lavender) and a role: solo speaker or wide/group shot.
The plugin analyzes the audio of each track to detect who is talking at every moment. The cuts land automatically on the right speaker.
Set how often to cut wide and the plugin inserts cuts to the group camera automatically. No more monotonous edits.
Give each track a name, a color and a role (speaker or wide/group). The mapping stays saved for that sequence.
Set the cut method and how often to cut wide. The plugin knows when to slip a group shot between two speakers.
Audio analysis detects who is talking at every moment and places the cuts on the right video track. You get a clean multicam edit.
Each speaker gets a color from the Tokyo Night palette: blue, pink, green, amber, purple, orange, teal, lavender. The colors are applied to the clip labels on the timeline so you see at once who is talking at every moment.
The result: a timeline you can read at a glance, even with 8 speakers.
Speaker mapping, colors and cut settings are saved per sequence. You move from one podcast project to another without setting anything up again. The state is cached locally and restored automatically when you come back to a sequence.
Multi-project: each sequence has its own mapping. No mix-ups between your podcasts.
2 to 8 speakers. Each has a name, a color and a role. You can have several solo speakers and one or more wide/group shots.
The plugin analyzes the audio level of each track assigned to a speaker. The track with the strongest signal at a given moment sets the active speaker, and the plugin cuts to their camera.
Yes. The cuts are regular edits on the timeline. You can move, delete or adjust each one by hand after the automatic edit.
Yes. The full state (mapping, colors, cut settings) is cached per sequence and restored automatically next time you open it.
Yes. The plugin analyzes the overall signal of each track, mono or stereo. What matters is having a separate track per speaker.
Multi-speaker Podcast is one of 14 tools in the plugin. Have a look at the others.
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